Rajesh Khanna

Rajesh Khanna (About this sound elocution conceived Jatin Khanna;29 December 1942 – 18 July 2012) was an Indian on-screen character, film

maker and government official who is known for his work in Hindi cinema.He was alluded to as the “principal superstar”and the “first

whiz” of Indian cinemaHe featured in 15 continuous solo hit films from 1969 to 1971, still an unbroken record.

He completed 106 solo legend movies of which 97 got discharged in the vicinity of 1967 and 2013. He acted in just 22 films with multi-star cast. 82

of the 127 movies with Khanna as the lead hero (of them 117 discharged and 11 unreleased) were widely praised films

with appraisals over 4 stars out of 5 by film analysts of different daily papers consistently.

He made his presentation in 1966 with Aakhri Khat. Amid his profession he showed up in excess of 168 component movies and 12 short movies.

He got the Filmfare Best Actor Award three times and the BFJA Awards for Best Actor (Hindi) four times. In 1991, he was

granted the Filmfare Special Award for accomplishing the accomplishment of doing the most solo legend films in Hindi Cinema and in 2005, he

gotten the Filmfare Lifetime Achievement Award.He was the most generously compensated Indian performer from 1970 to 1987 while Amitabh

Bachchan had a similar tag with Khanna from 1980 to 1987.

He was additionally a Lok Sabha individual from the Indian National Congress from New Delhi (Lok Sabha body electorate) from 1992 to

1996.

He wedded Dimple Kapadia in March 1973, eight months previously her presentation film Bobby was discharged and had two girls

from the marriage. Their senior girl Twinkle Khanna is hitched to on-screen character Akshay Kumar, while they likewise have a more youthful

little girl Rinke Khanna.

Khanna kicked the bucket on 18 July 2012, after a time of ailment. Khanna has been after death granted India’s third most noteworthy non military personnel

respect, Padma Bhushan. On 30 April 2013 he was gave the title First Superstar of Indian silver screen at the Dadasaheb

Phalke Academy Awards. He has likewise been regarded with a stamp and statue in his similarity, and a street being renamed after

him.

Early life

Rajesh Khanna was conceived on 29 December 1942, in Amritsar in the province of Punjab, as Jatin Khanna.Khanna was embraced and

raised by Chunnilal Khanna and Leelawati Khanna, who were relatives of his organic guardians. His dad had relocated from

West Punjab to “Gali Tiwarian” in Amritsar. His natural guardians were Lala Hiranand and Chandrani Khanna. Lala functioned as

superintendent of the MC High School in Burewala (in introduce day Pakistan), Vehari District, Punjab, Pakistan. His assenting

guardians had a place with a group of railroad contractual workers who had moved from Lahore to Bombay in 1935. Khanna lived in Saraswati

Niwasin Thakurdwar close Girgaon, Mumbai.

He went to St. Sebastian’s Goan High School with his companion Ravi Kapoor, who later made that big appearance name Jeetendra.Khanna

progressively began appreciating theater, did a significant number of stage and theater plays in his school and school days, and won numerous

prizes in between school dramatization rivalries.

In 1962 Khanna played an injured quiet warrior in the play Andha Yug and awed with his execution; the central visitor

recommended that he get into films soon. Khanna turned into an uncommon newcomer who had his own MG sports auto, who attempted to get

work in theater and movies in the mid 1960s.

Khanna did his initial two years of Bachelor of Arts in Nowrosjee Wadia College in Pune from 1959 to 1961. Khanna later contemplated

in K. C. School, Mumbai and Jeetendra considered from Siddharth Jain College. Khanna guided Jeetendra for his first film

try out. Khanna’s uncle KK Talwar changed Khanna’s first name to Rajesh when he chose to enter films. His companions and his

spouse called him Kaka (which means really young looking kid in Punjabi).

Early profession (1966– 1975)

Rajesh Khanna was one of eight finalists from in excess of 10,000 hopefuls in the 1965 All India Talent Contest, sorted out by

Joined Producers and Filmfare.Rajesh Khanna won the contest.[36] BR Chopra, Bimal Roy, GP Sippy, HS Rawail, Nasir

Husain, J. Om Prakash, Mohan Saigal, Shakti Samanta and Subodh Mukherji and others had made the United Producers

association and were the judges of the challenge.

Our first hotshot influenced his movie to make a big appearance in the 1966 movie Aakhri Khat, coordinated by Chetan Anand, trailed by Raaz, coordinated by

Ravindra Dave, both of which were a piece of his foreordained prize for winning the All-India United Producers’ Talent

Rivalry. G.P. Sippy and Nasir Hussain were the first to sign Rajesh Khanna after he won the contest.Aakhri Khat was

India’s entrance for the Best Foreign Language Film at the 40th Oscar Academy Awards in 1967. Khanna in a meeting to the

daily paper The Hindu stated:

“However ‘Aakhri Khat’ is my first film, I got my first break as a main performing artist in Ravindra Dave’s, ‘Raaz’, in 1967. My

champion was Babita, as of now a mainstream performing artist at that point. In spite of the fact that I had bunches of certainty, I was timid in confronting the camera at first. In

my initial three shots, I needed to perform with weight on my non-verbal communication and exchange conveyance. Despite the fact that I was ideal with my

exchanges, my developments were not up to the check. Ravindra Dave clarified me my scenes and developments obviously

amending my method for strolling.”

Being under contract with United Producers, he got activities, for example, Aurat, Doli and Ittefaq. He was then seen for his

exhibitions in movies, for example, Baharon Ke Sapne, Aurat (1967), Doli, Aradhana and Ittefaq. In Bahraon Ke Sapne, the reaction

from people in general in the main seven day stretch of run constrained the film’s consummation of be transformed from a terrible one to a more joyful one from the

second week. Afterward, Waheeda Rehman proposed to Asit Sen to take Khanna for the lead part in Khamoshi. Through

Aradhana he rose to “moment national popularity” and film pundits alluded to him as the main whiz of India. Rajesh Khanna was

cast in a twofold part (father and child) inverse Sharmila Tagore and Farida Jalal. It additionally observed the resurgence of Kishore Kumar,

who in the end turned into the official playback voice of Rajesh Khanna. They cooperated until Kishore’s demise in 1987 and

melodies of their mix were discharged until 1991.

In 1971, he acted in Haathi Mere Saathi, which turned into that year’s most noteworthy earning film and the greatest grosser ever till at that point.

Khanna is credited with giving Salim Khan and Javed Akhtar their first opportunity to end up screenplay essayists by offering them

work in Haathi Mere Saathi. Javed Akhthar acknowledged and said in a meeting: “One day, he went to Salimsaab and said that Mr.

Devar had given him a tremendous marking sum with which he could finish the installment for his cottage Aashirwad. Be that as it may, the

film’s content was a long way from being acceptable. He revealed to us that in the event that we could set right the content, he would ensure we got both

cash and credit.” Rajesh purchased Rajendra Kumar’s lodge named Dimple in Carter Road for 31 lakhs in 1970 and

renamed it Ashirwaad.

Badnam Farishte in 1971 was the principal film of Khanna to flounder in the cinema world since his successive 17 hits from 1969. In 1972,

Khanna acted in 10 discharges, nine of which ended up fruitful. His Hindi movies Dushman, Amar Prem, Apna Desh and Mere

Jeevan Saathi, together earned more than Rs.5 crore. His different movies of 1972, for example, Dil Daulat Duniya, Bawarchi, Joroo Ka

Ghulam and Shehzada earned more than Rs.4.5 crores. His next discharge Anuraag was a hit. The film Maalik discharged in end of

1972 was unsuccessful. He showed up in a Telugu film called Bangaru Babu, coordinated by V.B. Rajendra

Prasad in 1973, which was a hit in the cinematic world. According to the audit of Raja Rani (1973 film) written in 2014 by the Hindu

daily paper, the film did well in the cinema world and, thinking about the swelling starting at 2014, the film would have

netted in excess of 100 crores. The clothing worn by Khanna was a sleeveless shirt and pants, thick cowhide belt, shoes without

socks and a dark top. The Hindu survey noted “On a lesser performer, the clothing would have bombed, yet Khanna, as a little time

criminal, conveys it with trademark élan.”

Rajesh acted nearby Mumtaz in eight movies. They were neighbors and got along exceptionally well, which deciphered onto the

screen. Mumtaz expressed “I would pull his leg and bother him about his fan following. At whatever point Rajesh entered a lodging in Madras,

there was a line of 600 young ladies holding up to see him at midnight. Accordingly, even I would get some significance, as individuals would

request my signature too. He was exceptionally liberal with his partners, and would party a considerable measure.”

Amid the pinnacle of his profession he would be mobbed amid open appearances. Fans kissed his auto, which would be secured

with lipstick checks, and lined the street, cheering and droning his name. Female fans sent him letters written in their blood.

There used to be a line of autos of his makers and crazy fans outside his cottage consistently. Performer Mehmood satirize

him in Bombay to Goa where the driver and conductor of the transport were called ‘Rajesh’ and ‘Khanna’. Indeed, even today, he remains the

most loved of mimicry specialists, who duplicate his trademark style and exchange conveyance.

Amid the taping of Amar Prem there was a scene that should have been shot at Howrah Bridge with a vessel conveying Khanna and

Sharmila under the extension. The specialists precluded this scene as they understood that if the general population discovered that the star would

be there, it might make issues on the scaffold and that it may fall because of the measure of individuals attempting to get a look at

their most loved actor.[56] Film commentator Monojit Lahiri recalls “Young ladies wedded themselves to photos of Rajesh Khanna,

cutting their fingers and applying the blood as sindoor. Rajesh was God, there has never been such mania.”

In the year 1974, the Fi

Ittefaq (1969 film) : Hindi Film

Ittefaq (1969 film) : Hindi Film Detail Online :

 

Ittefaq is a 1969 Bollywood suspense thriller film and producer is B. R. Chopra and directer is his brother Yash Chopra. The film Featuring

Rajesh Khanna with Nanda, Bindu, Madan Puri, Iftekhar and has music Given Salil Choudhury. The film became a “hit” at the box office. This

Film is a remake of 1965 American movie Signpost to Murder which had earlier been adapted into a Gujarati drama Dhummas. It was the fourth

Bollywood film (after Naujawan, Munna and Kanoon) that did not have any songs in it. What was remarkable was that a previous production from

the same production house i.e. B.R.Films, namely Kanoon, made in 1960 was also a song-less film and with the same leading lady Nanda.

Another common feature of both Kanoon and ‘Ittefaq‘ was that in both these song-less films Salil Chowdhary was the Music Director. This film is

counted among the 17 consecutive hit films starring Rajesh Khanna in main role between 1969 and 1971, by adding the two hero films Marayada

and Andaz to the 15 consecutive solo hits he gave from 1969 to 1971.

Directer : Yash Chopra
Producer : B. R. Chopra
Writter : G.R. Kamath (story & screenplay) Akhtar-Ul-Iman (dialogues)
Starring : Rajesh Khanna,Nanda,Iftekhar
Music : Salil Choudhury
Cinematography : K.G
Release date : October 10, 1969
Country : India
Language : Hindi

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